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Dead Jerk's organic-yet-otherworldly music is concocted using a balance of rich, analogue instruments and the alien sounds they can produce – resulting in a kind of retrofuturism that honours pioneers like Delia Derbyshire and her legacy of proto-snyth soundscaping.
As such, the band's first release feels like musical cinema - a raucous, highly-detailed soundtrack to a film that doesn't exist.
